[Original article here]

[Original article here]

When it comes to generating buzz, it’s hard to beat the Insect Fear Film Festival, which celebrates its 30^th anniversary on Saturday, February 23.  The lights will dim in the Foellinger Auditorium at the University of Illinois at Urbana-Champaign. The screen will light up. Skin will crawl— as will a cinematic parade of members of the phylum Arthropoda, which includes spiders, scorpions and insects. One of the featured films will be “War of the Coprophages” from season 3 of The X-Files, which features killer cockroaches.

The bug film fest was the idea of Professor May Berenbaum, head of the university’s Department of Entomology. “It’s about education,” she says, and righting the wrongs done to “the most misunderstood taxon on the planet.”  National Geographic Editor at Large Cathy Newman caught her between classes to talk about the event.

Let’s talk about how the idea of the Insect Fear Film Festival was…pardon my saying so…hatched.

I was a graduate student in entomology at Cornell University, walking across campus when I saw a sign advertising a showing of Godzilla, sponsored by the Asian Student Association.  ‘If they can have fun, so can we,” I thought. When I pitched the idea of an insect fear festival, my department head said it was undignified.

Many years later, when I was on the faculty here at the University of Illinois and established in the field, I tried again. My department head loved it.  We held the first festival in 1984.

How does it compare with Cannes?

Well, it’s not so much about film as insects. And we don’t have premieres.  The goal is education through entertainment. For our purposes a film doesn’t have to be excellent.

I imagine most insect films meet the criteria of non-excellence. Is there anything above a grade B film in the genre?

The granddaddy of them all is Them! A 1954 film about an encounter with a race of giant ants.  It was nominated for an Oscar and was Warner Brothers’ biggest grossing film that year.  Angels and Insects (1995) won an Academy Award for costumes. Many big actors got their start in bug films. Clint Eastwood appeared as the jet pilot in Tarantula (1955). Leonard Nimoy appears in Braineaters (1958).

Are there trends in insect films?

In the 1950s big bug films were popular—oversized insects made so by radiation. What causes the mutation differs with the era.  Genetically engineered big bugs came in the 1990s. In the 1970s, swarms were popular.

Is the film festival an attempt to proselytize the public and convert them to the cult of entomology?

It’s a plea for tolerance. Yes, there are bad actors in the insect world. Insects that have caused pain and suffering. Insects are vectors of disease. They consume 30 percent of the world’s crops. But there are far more good guys than bad guys. They recycle and can tackle materials not otherwise broken down. They pollinate. Without insects the world would be bleak and inhospitable.

How did you get interested in insects?

I used to be afraid of them. I would go out of my way not to cross the path of a caterpillar. But I always wanted to be a biologist and at Yale, when I placed out of introductory biology, a course on terrestrial arthropods was the only one available. I confronted my fears and here I am today.

Do you have a favorite insect? And a favorite insect film?

I’m asked about my favorite insect all the time. Do you ask an English major their favorite author?  Each has its own appeal. As far as film, it would be Beginning of the End, a 1957 film in which giant irradiated grasshoppers attack central Illinois, end up in Chicago, and drown in Lake Michigan. One reason I like it is because it starts out here in central Illinois, but it is clearly not filmed here because you can see mountains in the background.

If you have a fly or cockroach in your house do you catch and release it outside?

It depends on the fly. I know which ones pose a risk and which don’t. I have a low tolerance for mosquitoes because they carry disease. Of course there are mosquitoes that pollinate orchids. No one species is totally irredeemable.  As far as insects in the house, I’m perfectly happy to escort the harmless ones outside.

[Original article here]

The Landmark Series Finds a New Publishing Outlet in 2013

San Diego, CA (January 28, 2013) – IDW Publishing and Twentieth Century Fox Consumer Products are thrilled to announce a partnership to publish an exciting series of works based on the legendary series, THE X-FILES. IDW’s publishing plan includes reprinting collections of the classic issues published intermittently from 1995 through 2009, as well as creating brand-new X-FILES comics to launch in June 2013.

Over two movies and two hundred television episodes, THE X-FILES, is a juggernaut of science fiction-tinged intrigue, unique characters and carefully constructed stories. The show’s popularity raged into the comic world, seeing successful series mounted by publishers Topps and Wildstorm. Despite this, new publishing has not been available since 2009′s joint Wildstorm/IDW crossover – 30 Days of Night/The X-Files – leaving fans without a venue for the continuing sequential adventures of Mulder and Scully… until now.

“THE X-FILES is a classic property that helped redefine fans’ expectations for the science-fiction and horror genres,” said IDW’s President/Chief Operating Officer Greg Goldstein. “The possibilities for new comic stories are virtually unlimited!”

“The fans of THE X-FILES have remained loyal to the series since its conclusion. What better way to continue the show’s legacy and give back to them than through new stories in a different medium,” said Jeffrey Godsick, President of Fox Consumer Products. “IDW has worked with a number of our Fox properties, and we know they’re going to do great things with these iconic characters.”

In 2013, fans of THE X-FILES will want to believe in new comics from IDW Publishing! The home of successful kindred series like 30 Days of Night, Doctor Who, and Locke & Key, to name a few, IDW is excited to bring the enduring legacy of THE X-FILES back to comics.

“Few shows have captured the zeitgeist and fans’ imaginations like THE X-FILES, and fewer shows still have left people hungry for more in the way this one did,” said Chris Ryall, IDW’s Chief Creative Officer/Editor-in-Chief. “Our new series will be picking up where the second film left off, which will hopefully be as exciting for fans to read as it is for us to develop.”

[Original article]

CultBox caught up with The X-Files writer Frank Spotnitz recently to chat about his new spy drama series, Hunted.

From the makers of Spooks, the eight-part series begins on BBC One tonight at 9pm and stars Melissa George (Grey’s Anatomy) as a highly skilled operative for an elite private intelligence firm.

> Order Series 1 on DVD on Amazon.

Best known for writing nearly 50 episodes of The X-Files, Spotnitz was also co-executive producer of Millennium and co-wrote both The X-Files movies.

When did you first get the idea for Hunted and how has the show developed since your original idea?

“Well, I’d wanted to come to London for years and was trying to find a way to do it. I came up with the idea in 2009 because I realised I could do a spy series here that could compete with the best of AmericaN television.

“I’d been talking to the people at Kudos about doing a show since 2002 and they called me every year and then in 2009 I finally called them and said ‘I think I’ve got it’ and so it took from then to now to get it on the air.”

What were your inspirations for the show?

“Oh gosh, so many! Not surprisingly I’m a huge consumer of movies and television and this is my favourite genre. I’ve seen thousands of hours of every spy series and movie you can think of and the hard thing is to find something that hasn’t been done before. It’s really, really though.

“There were two things I felt were really central to this. One was the character of Sam Hunter; this female spy who is targeted for death and she doesn’t know who has targeted her or why. And the answer lies in her own troubled past. Imagine a female Jason Bourne as a real human being. This is a television series so it has to be character-based to be interesting.

“What’s she really going to be like if you met her? Warm and fuzzy and friendly? Or distant and removed and guarded? She’s going to be the latter; she kills people. She lies for a living, she’s going to be somebody with a lot of walls up. So I wondered: how did she get that way? How did this become her career? Probably some pretty terrible things happened to her in her life and that really is the heart of the show; the secret of Sam’s past.

“The second thing that really made me excited was the world of private intelligence. It’s become a huge business and I don’t think many people are aware of how many spy agencies there are in the world, operating for profit. They present a really interesting moral complexity as they’re not serving national interests; they’re serving the interests of private clients who may or may not be the good guys.”

Is there a larger story with Hunted beyond what’s told in this first series?

“Yeah, from doing The X-Files all those years I’m very good at answering one question and asking three others! So that’s kind of what happens in these first episodes. I think hopefully it’s a very satisfying emotional journey and you feel you’ve got a lot of answers by the end of the eighth hour, but there’s certainly a lot of room to go forward if the audience are so inclined.”

Does that mean we can expect a cliffhanger at the end of the series?

“Well, it’s not a cliffhanger because I don’t know whether there’ll be a second series at this point. You have to design it for both possibilities. If this is the end then it’s a great ride and that was  really satisfying ending, but if it’s not the end then there’s plenty more ground to cover in future series.”

Did you have Melissa George in mind as Sam when you wrote the part?

“No, I didn’t, and it was very hard to find the right actress for his part because there just aren’t that many people on the planet who look like Melissa looks, who have her physicality and who have her acting chops.

“This is a really demanding role emotionally. It’s very complicated, because she’s always playing two things at once. She’s playing this tough person, but then underneath you need to see that there is somebody you want to know more about. Most of the time in the series she’s undercover pretending to be somebody she isn’t. That’s fascinating to me too, because you often see sides of Sam through who she’s pretending to be.”

Hunted is launching almost a year after BBC One’s Spooks ended – do you think Spooks fans will enjoy the show?

“Well, I’ve got to say; I dread the comparisons to Spooks! Spooks is such a hugely successful and beloved series. I think you can only fail when you’re compared to something people have loved for so long. I know the comparisons are inevitable but I don’t welcome them because I don’t see it as a comparison I can win. It is another spy show but it’s very, very different. I hope people will judge it on its own merits.

“I think Spooks was just perfect for its time, coming on air right after 9/11 and it spoke to the time it was on so brilliantly. Hopefully we’re going to speak to the times we’re in now which are quite different. The world has become privatised and there are all kinds of interesting moral grey areas now that we can explore.

Do you approach writing action scenes in a different way to writing dialogue?

“Yeah, I do – and this goes back to my X-Files days – I try to imagine the visuals. I want to know when I deliver a script to the director that it can be executed. I don’t want to leave it to chance! So much of the challenge of television is communicating a vision successfully.”

Gillian Anderson is doing a lot of work on UK TV these days. Would you like to work with her again on a new show or on Hunted perhaps?

“That was my first idea actually! When I wanted to do a spy show in England she was my first call and she was attached to this for some time, but when I finally got the green light she couldn’t do it.

“I would work with her again in a second. Having worked with her on The X-Files for so long I know how great she is. I think she’s really one of the great actresses we have.”

[Original article here] (Extract only)

Millennium (1997, 1998)—“Group Elder”
PBH: Yeah, well, that… I don’t know what they were doing with that. That was an odd series. Also shot up there in Canada. All I remember is being out there in the woods somewhere, and they’d take us to some remote location, put a dead chicken on the table or something, and somebody would say—in the script, I mean—all these odd words, spirits would come in, and I was supposed to be the embodiment of the spirit… I mean, to tell you the truth, it was not a show that I watched, so I wasn’t into the mythology of it or the language of it. I guess it had its fans, but I did several episodes, and I couldn’t quite… I never quite knew where they were going with it. So I never understood the character. I was the physical embodiment of a spiritual presence, but was it a good presence or not? I don’t know. I never understood it. I get these amazing residuals from there every couple of months, though. 14 cents, 23 cents, one dollar and nine cents. And that’ll be for, like, 50 showings or something. [Laughs.] Very bizarre. Pretty weird.

[Original article]

Ever since the release of ‘The X-Files: I Want to Believe’ 4 years ago, fans have been clamoring for a third ‘X-Files’ film, mainly to redeem the franchise from that last film. Everyone from the stars, David Duchovny and Gillian Anderson, to the producer, Frank Spotnitz, and creator Chris Carter seem to be on board. Everyone, that is, except Fox. Now it seems something is progressing as Gillian Anderson gave some news that has X-Philes rather excited.

Anderson was in Toronto as part of a panel at the Fan Expo Canada last weekend. According to a tweet from X-Files News who was at the event, a fan had asked about the possibility of a third ‘X-Files’ film. Anderson replied, “I met with (series creator Chris Carter) before coming here and it’s looking pretty good. We (just) have to convince FOX (Studios).”

That may be easier said than done. The TV series became highly successful during its nine year run and fans of the show flocked to see the movie version in theaters earning ‘The X-Files: Fight The Future’ $189 million at the box officeworldwide. Of course it had the advantage of being released during its TV run. ‘The X-Files: I Want to Believe’, however, was released 6 years after the show was cancelled and failed to attract the same interest only earning $68 million worldwide, so convincing the studios to put money into this franchise may be a hard sell.

In an interview with Collider earlier this month, Duchovny had his own explanation as to why the second ‘X-Files’ film didn’t do so well:

“One of the greatnesses of the show was its open-endedness.  It was about possibility.  It wasn’t about closure.  It just couldn’t be.  There is no such thing as that story ever ending.  Those characters are forever searching.  That’s what they do.  Even if we’re not watching them, they’re out there, in some dimension.  Mulder and Scully are still doing their thing ‘cause that’s their nature.

I would love to do another film, or more.  I think we’re all game for it.  I know I’m kind of perplexed that Fox isn’t more (enthusiastic).  Here’s a homegrown property that you don’t have to go buy, like fuckin’ ‘Green Lantern’ or something, to make it.  Here you’ve got an actual action franchise that’s your own.  It’s weird to me, but I’m not an executive. … Why not make a homegrown franchise that is excellent, and that has proven to be excellent and interesting?”  I don’t get it, but that’s not my business.

I think Chris (Carter) is probably working on an idea, so we’ll see.  Unfortunately, with the last one, they didn’t spend the money to compete in a summer fashion, and they brought it out in the summer.  It should be a summer film.  It should be an action film.  But, the last one we made was not.  The last one we made was a dark, contemplative, small $25 million film.  It was basically an independent film.  When you come out against ‘Batman,’ it’s not going to happen.”

Hopefully we’ll know pretty soon what Carter has up his sleeve that has made Anderson excited enough to be able to make an announcement as she did! After all, interest in the franchise still remains high even after all these years.

What do you think? Would you want to see a third ‘The X-Files’ film?

[Original article]

LOS ANGELES—“He was dressed better than me,” said David Duchovny, wearing a polo shirt and slacks, about Jon Hamm, whom we just interviewed. The “Mad Men” actor wore a suit. “I saw him.” He joked, “I didn’t like that.”

Settling down into a chair, David said he just wrapped shooting Season Six of his TV series, “Californication,” where he plays Hank Moody, a hedonistic novelist. He confirmed that rocker Marilyn Manson will make appearances in the series. “Manson is a big fan of the show,” he disclosed. “Apparently, he signs into hotels as Hank Moody, which I find funny.” He quipped, “Coincidentally, I sign in as Marilyn Manson.”

The star explained how the rocker with the dramatic Goth make-up ended up on “Californication.” “He’s been in touch with Tom Kapinos, our show runner for years,” David explained. “They’ve been trying to work him in.”

The actor also noted for his FBI Special Agent Fox Mulder character on his previous series, “The X-Files,” added, “Hank goes into the rock ‘n’ roll world. The main guest star is this guy named Tim Minchin (he plays Atticus). He’s very talented. This position doesn’t really exist in America, but he’s a political humorist-musician. Tim writes political, philosophical and funny songs, and performs them quite powerfully. He’s the rock ‘n’ roller I’m palling around with, because I’m trying to write a rock opera for him from a book that I’ve written that he loves.”

David said, “Anyway, since Tim plays a rock star in that fictional world, he’s friends with Manson.” He said with a grin, “So, Manson just shows up every now and then.”

The Yale- and Princeton-educated actor said that his recent “biggest thrill” was that he started playing guitar about nine months ago. “Tom Kapinos started writing into the show that I’m playing guitar,” he said.

Fledgling guitarist

The fledgling guitarist sounded excited about shooting the show’s finale at the Greek Theater in LA. “It was a big concert for Tim’s character,” he recounted. “Manson also came and performed.”

Rock also dominated the series’ recent season-wrap party. David disclosed, “I got to play one of the backup guitars for Manson as he sang ‘Hotel California.’ I found it touching that he would do that for us. He appears to be a monster, but he’s actually sweet.”

The actor dished that men who think they are like his sexy, rakish character would try to tell him stories. “People think that they’re Hank Moody, and they want to tell me,” he said. “If they are under 30, I think, OK. If they are over 30, I think, no, that’s a problem. If they are 70 and they think they are Hank Moody, I go, ‘OK, cool—good for you.’ So there’s like a window—between 30 and 70, you’re in trouble if you’re acting that way.”

He talked about how the show’s characters have evolved. “It’s interesting that in the first three years of the show, Hank was the wildcard in his world,” David began. “He was the person who would go into a situation and create havoc. Then, a subtle shift happened in the last couple of years, where everybody around Hank seems crazier than he is. So, all of a sudden, Hank becomes the calmest, the voice of reason on the show.”

Relationship

“For me, the show is always about going back to the family and the relationship between my character and those of Natascha McElhone (Karen) and Maddy Martin (Becca). We can spin off into absurd scenarios and the craziness that we do, but what has made the show last is that it has heart at its center—this family, love story or father-daughter relationship.”

The New York native laughed off talk that he and his “The X-Files” co-star, Gillian Anderson are living together. “Gillian and I have been trading e-mails,” he volunteered. “Very funny. I wish I could show the thread where I wrote, ‘I’m very sorry for leaving the toilet seat up. I didn’t know you were living with me. Where are you exactly in the house?’ I just haven’t found her yet. So, it’s not true.”

David confirmed that he’s still married to actress Tea Leoni, but they are separated. Asked about the tattoo on his ring finger, he explained that it was a substitute for an actual wedding ring. “Because I would always take a ring off at work,” he said. “I don’t like wearing jewelry. So, I got this (tattoo) instead of a wedding ring.”

The 52-year-old actor sounded optimistic about another “The X-Files” movie. “I hope so (it happens),” he said. “I rent one of (creator) Chris Carter’s many homes when I’m shooting in LA.  He says he’s going to have a script. We’re all eagerly awaiting what he’s got up his sleeve.”

On his former students at Yale, where he taught English, David said, “They get in touch with me sometimes. Because of the social media, nobody can hide. One of them has become a pretty well-known writer. I taught him expositional writing. He’s a respected novelist. I had nothing to do with that.”

[Original article]

Earlier today, I had the opportunity to sit down with David Duchovny at the members-only Soho House in West Hollywood to chat about his indie feature Goats.  In the comedy, he plays Goat Man, a goat-herding sage who has lived with Ellis (Graham Phillips) and his New Age hippie mother (Vera Farmiga) since Ellis was a child, teaching him the meaning of expanding one’s mind.

While we will run the full interview tomorrow, we did want to share what Duchovny had to say about the possibility of a third The X-Files movie, especially after what writer/producer Frank Spotnitz told me about it a week ago.  Clearly up for it, he said that he doesn’t understand why Fox isn’t more enthusiastic to get it going, when it’s a homegrown action franchise that they own, and he talked about where he thinks the second film went wrong.  Check out what he had to say after the jump.

Collider: When I spoke to Frank Spotnitz about a week ago, he said that he feels it’s a cultural crime that you guys haven’t gotten to finish The X-Files story, and that he doesn’t think it’s too late to do, but that it will be, if it’s not done soon.  How do you feel about it, at this point?  Have you closed the book on The X-Files, or would you like to continue it with a third film?

DAVID DUCHOVNY:  Do you know something I don’t know?  Am I dying?  No.  That book doesn’t close until somebody dies, really.  One of the greatnesses of the show was its open-endedness.  It was about possibility.  It wasn’t about closure.  It just couldn’t be.  There is no such thing as that story ever ending.  Those characters are forever searching.  That’s what they do.  Even if we’re not watching them, they’re out there, in some dimension.  Mulder and Scully are still doing their thing ‘cause that’s their nature.

I would love to do another film, or more.  I think we’re all game for it.  I know I’m kind of perplexed that Fox isn’t more [enthusiastic].  Here’s a homegrown property that you don’t have to go buy, like fuckin’ Green Lantern or something, to make it.  Here you’ve got an actual action franchise that’s your own.  It’s weird to me, but I’m not an executive.  I don’t know if they made the Green Lantern either, but I’m just using that as an example of, “Why make that film?  Why not make a homegrown franchise that is excellent, and that has proven to be excellent and interesting?”  I don’t get it, but that’s not my business.

I think Chris [Carter] is probably working on an idea, so we’ll see.  Unfortunately, with the last one, they didn’t spend the money to compete in a summer fashion, and they brought it out in the summer.  It should be a summer film.  It should be an action film.  But, the last one we made was not.  The last one we made was a dark, contemplative, small $25 million film.  It was basically an independent film.  When you come out against Batman, it’s not going to happen.  You’re not going to be sold as an independent film, and you’re not going to compete against Batman with $25 million. 

[Original article]

CultBox caught up with The X-Files writer Frank Spotnitz today to chat about his new spy drama series, Hunted.

From the makers of Spooks, the eight-part series begins on BBC One this autumn and stars Melissa George (Grey’s Anatomy) as a highly skilled operative for an elite private intelligence firm.

Best known for writing nearly 50 episodes of The X-Files, Spotnitz was also co-executive producer of Millennium and co-wrote both The X-Files movies.

Our full interview will go up next month, but in the meantime here’s what Frank had to say on the subject of The X-Files…

Were you disappointed that it’s not been possible to make a third X-Files film focusing on the 2012 alien invasion to be released this year?

“Yes, I’m hugely frustrated to be honest! The studio wanted the second movie to be more of a low-budget ‘story of the week’ and I’m proud of that film, but I think what we learnt is that that’s not what the audience wants. To the movie-going audience The X-Files means aliens.

“I think it’s one of the great franchises in television history and it hasn’t been given an ending. I think that’s shameful. I know there is a great movie story to be told with these characters that would bring an end to the saga and I think it’s wrong that they haven’t done that.

“They’re running out of time. I don’t think it’s too late, but it’s going to be pretty soon. I’ve been saying for four years now that they should end this story the way it deserves.”

Would a third movie be a final conclusion then?

“Yeah, I think it would end the story. The aliens were prophesised to be coming back in December 2012 and ideally this movie would have been made to be released by that date, but I’ve never stopped talking to [the show’s creator] Chris Carter and we have a way to do it still. I would still jump at the chance to do it!”

How long have you been living in the UK now?

“I’ve been here two years and I’ve consumed as much British drama as I could! There’s so much that it’s almost embarrassing how much good stuff you guys do here. I loved The Shadow Line, Any Human Heart, so many other shows… I feel very proud to be associated in any way with the BBC.”

Are you fan of any British cult TV shows like Doctor Who, Being Human, Misfits, etc.?

“I love all of those; my children love Doctor Who in particular.”

Would you like to write a Doctor Who episode at some point?

“I’m so intimidated by it because it has such a rich heritage. I would need to just lock myself in a room and watch 100 episodes to determine whether I could add anything to it, but I think it’s superb, yes!”

Writer/Producer Frank Spotnitz Talks His Desire to Make a Third X-FILES Movie and the Possibility of a MILLENNIUM Movie

Collider.com

Christina Radish

[Original article]

The X-Files writer/producer Frank Spotnitz has created the compelling eight-episode international espionage series Hunted for Cinemax, to premiere on October 26^th.  The story follows Sam Hunter (Melissa George), a skilled operative for Byzantium, a secretive private firm involved in global intelligence and espionage, that may have personally been responsible for orchestrating an attempt on her life, leaving her with no idea who to trust.

While at the TCA Press Tour, Collider spoke to Frank Spotnitz for this exclusive interview.  We will run what he had to say about that series closer to its premiere, but we did want to share what his comments about whether he still wants to do a third The X-Filesmovie, why it would be a cultural crime not to finish the series, how it would need to happen pretty soon, and what he’s most happy about when he looks back at his work on the series and movies.  He also talked about what it might take for a Millennium movie to happen.  Check out what he had to say after the jump.

Collider: Do you feel like you’ve closed the book now on The X-Files, or is there still another chapter to tell there?  Do you still want to do a third movie?

FRANK SPOTNITZ:  I absolutely do!  I think everybody should write to 20^th Century Fox.  I’ve been saying for years now that I feel it’s a cultural crime that they have not finished the series.  The second movie did not perform the way anybody wanted it to at the box office.  I’m proud of that movie, but it makes sense to me that it didn’t.  It was released at the height of summer, and it was a story-of-the-week.  That’s not what the movie-going audience wanted.  The movie-going audience wanted the aliens.  That’s what they know The X-Files for.  And that story is not done, and it should be finished.  I don’t think it’s too late, but I think it’s gonna be, pretty soon.  I’m still agitating with everyone I can grab to say, “Let’s make this movie while we still can!”

When you look back at the time you spent making the show and the movies, what are you happiest about, and are there things you still wish you could go back and change?

SPOTNITZ:  Oh, yeah, always!  Unfortunately, my personality is that way.  It’s true with Hunted, too.  I’m like, “Oh, that’s good, but this wasn’t good enough.”  I just look to what I consider failures.  Other people might be like, “Oh, that was great,” but I’ll be like, “No, to me, that was not.”  I’m sure with The X-Files, there are plenty of things that I wish had been better.  But, The X-Files was the central experience of my professional life.  It was my first job in television.  It taught me everything that I’ve taken with me since, and it was a huge success.  I just feel so blessed to have something like that in my life.  How many people get to be a part of something like that?  I really made a lot of close friendships, with Chris Carter and Vince Gilligan, and I’m still friends with a lot of the actors.  I still see Gillian [Anderson] and talk to David [Duchovny].  It’s a treasure and a blessing to have something like that. 

Lance Henriksen recently talked about his desire to make a Millennium movie.  Is that something you’d like to go back and revisit?

SPOTNITZ:  I would!  It’s a harder case to make for Millennium because Millennium was one of those shows that was a critical darling, but never found the mass audience that it deserved.  But, I get asked about that.  There are amazing fans for both series.  The Millennium guys are publishing a book this summer.  They’re really clever about trying to make this happen.  If they knocked on my door and we could do it, I would absolutely do it, but it’s a tough sell.